Painting Artistical

Do you carve punkins?
If you do, what do you carve on them? Or do you paint them?
My sister always carves something very intricate-she’s very artistical.
We carved a couple last year. I think one was a ghost, maybe a normal toothy jack-o and then my sister did a vampire that was very amazing.
And I call them punkins. =)
Ohhhh….homemade pumpkin pie!!! Yummo
Last year was the first time I carved a pumpkin in probably a decade… my daughter was 22 months last Halloween so she was old enough to be amused by it. We just made shapes that she could recognize. This year she is nearly 3 so we will probably go for a Dora carving and her name or something… I can’t wait till she is old enough to carve her own happy face into a pumpkin!
Painting #4: “An Artisan Research”-1st video
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Painting $19.77 The "death of painting" and its subsequent resurrection in transformed conditions is a leitmotif of the modern era. Painting’s postconceptual resurgence at the start of the 1980s began a dramatic expansion of its field. If painting remains important today, it is because its contradictions have been acknowledged as artists have radically diversified the components of its production and presentation. This first anthology to focus on painting’s multiple discourses over the last three decades brings together key statements, dialogues, and debates that have moved the conversation beyond the modern/postmodern dialectic while redefining the conditions necessary for an artwork to be described as "painting." The diversity of contemporary painting’s meanings and practices encompasses the randomness and eclecticism associated with Web-based creation. Although for many the presence of paint endures, others have argued for painting to be classed not as a material but as a philosophical category. Compiled by a leading critic of painting who actively participated in these conversations while also teaching young artists in the studio classroom, this collection ranges widely, to reflect the diversity of ways in which painting continues to be investigated and evaluated in studios, exhibition spaces, and the marketplace of ideas. These writings, statements, and interviews reflect ongoing debates and reignite questions for an as yet unimagined future of painting. |
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The Painting $3.95 In 1869 Japan, a young woman escapes the confines of her arranged marriage by painting memories of her lover on mulberry paper. She secretly wraps the painting around a ceramic pot that’s bound for Europe. In France, a disenchanted young man works as a clerk at an import shop. When he opens the box from Japan, he discovers the brilliant watercolor of two lovers locked in an embrace under a plum tree. He steals the painting and hides it in his room. With each viewing, he sees something different, and gradually the painting transforms him. Set outside the new capital of Tokyo during the Meiji Restoration and in Paris during the Franco-Prussian War, "The Painting" is a richly imagined story of four characters whose lives are delicately and powerfully entwined: Ayoshi, the painter, pines for her lover as she dutifully attends to her husband; Ayoshi’s husband, Hayashi, a government official who’s been disfigured in a deadly fire, has his own well of secret yearnings; Jorgen, wounded by the war and by life, buries himself in work at the Paris shop; and the shop owner’s sister, Natalia, who shows Jorgen the true message of the painting. Exquisitely written and utterly spellbinding, "The Painting" reveals the enduring effect of art in ordinary life and marks the debut of a skilled stylist and first-rate storyteller. |
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On Painting $9.89 Artist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art. |